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Once pop’s wiliest genius, Beck sounds in need of a proper sea change

Read the original at The Sydney Morning Herald ↗
Cite

Divola, B., & Madden, B. (2026, September 18). Once pop’s wiliest genius, Beck sounds in need of a proper sea change. The Sydney Morning Herald. https://www.smh.com.au/culture/music/once-pop-s-wiliest-genius-beck-sounds-in-need-of-a-proper-sea-change-20260914-p60x3n.html?ref=rss&utm_medium=rss&utm_source=rss_feed

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

The Sydney Morning Herald · collected 2026-09-18 · by Barry Divola, Ben Madden

Quick Summary

Music critic Barry Divola reviews Beck's new album, noting that it reprises his melancholic style from 2002's "Sea Change" but lacks the emotional depth and innovation of its predecessor. Songs like "Ride Lonesome" echo past work without bringing fresh elements to the table. Meanwhile, Robert Baxter’s EP PARTYANIMAL is praised for its thumping beats and celebratory lyrics that explore vulnerability within a club setting, with tracks such as "I <3 Girls" and "BRB" highlighting both community and personal challenges faced by the artist.
Written by AI on 2026-09-18, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

Beck, known for his eclectic music style, recently released "Hyperspace", his first album in seven years. Critics are noting a return to the somber tone of his 2002 album "Sea Change" rather than embracing new directions. The new track "The Golden Age" mimics previous work with reverb-heavy melodies and nostalgic lyrics, while other songs like "In the Night" feature strings reminiscent of Nick Drake’s music. Songs such as "It Ends Right Here," with its sentimental strumming, are seen as derivative of Coldplay's sound. Despite using his usual band and familiar musical setup, many feel this latest album lacks originality and depth compared to his earlier works that were praised for their innovation and emotional honesty.

Written for “Beck's Music Career” on 2026-11-03, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Beck's Music Career
Entertainment · 1 article(s) covering the same event.

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How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
23
sentences that state something as happening or true
Uncertain
0%
0 of 23 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-09-18 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

The Sydney Morning Herald · 5949 article(s) · 15 correction(s) detected
Running correction rate · 15 correction(s)

Who wrote this

Barry Divola
3 article(s) here · 1 carrying a prediction
🔮 “They told us that if it had been set in England, Ireland, Scotland or Wales, they would have said yes, but because it was set in a small town in Australia, it was very difficult for them to market.
🔮 It would be easy to write off PARTYANIMAL as the latest in a long line of Australian pop projects that has wholeheartedly embraced clubbier sounds.
🔮 They hoped it would become a tourist attraction that would reinvigorate the stricken neighbourhood of Shin-Nagata, which lost about 80 per cent of its buildings.
Also by Barry Divola
Nothing else under this byline is closely related to this article, so these are simply their most recent.
Ben Madden
2 article(s) here · 1 carrying a prediction
🔮 Such precious self-seriousness could leave early fans wondering if the DC now stands for “Doing Coldplay”, if not for the fact their songs are still underpinned by their nervy post-punk.
🔮 It would be easy to write off PARTYANIMAL as the latest in a long line of Australian pop projects that has wholeheartedly embraced clubbier sounds.
Also by Ben Madden
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

Australian BRB Coldplay PARTYANIMAL Victorian

Subjects

Australian NORP · 3× Beck PERSON · 2× PARTYANIMAL ORG · 2× Slayyyter ORG · 2× Barry Divola PERSON · 1× Coldplay ORG · 1× Nick Drake PERSON · 1× Robert PERSON · 1× Robert Baxter PERSON · 1× Robert Baxter’s PERSON · 1×

Narrative

The low-hanging strings of In the Night repeat his past Nick Drake obsessions, while It Ends Right Here, with sugar-sweet strumming and give-me-a-hug lines such as “All these people that you knew, all these cities you walk through, all this time it took to find you”
framing: assertive · carried by 1 article(s) · first seen 2026-09-18
🔮 It would be easy to write off PARTYANIMAL as the latest in a long line of Australian pop projects that has wholeheartedly embraced clubbier sounds.
2026-09-18 · The Sydney Morning Herald
Once pop’s wiliest genius, Beck sounds in need of a proper sea change · assertive framing

Claims (23 extracted, 0 hedged)

Beck, Ride Lonesome ★★ Beck has always been at his best when taking sharp turns, veering from warped lo-fi to hip-hop-influenced indie rock to slinky funk. asserted
Beck → ride → funk
So when the US singer-songwriter released 2002’s Sea Change, a sincere song cycle of genuine heartbreak, it was a revelation from a guy who had previously been pretty wry. asserted
who → release → guy
He’s returned to that mode since then, on 2014’s less convincing Morning Phase, and now he’s gone there again on his first album in seven years. asserted
he → return → years
And, sadly, it’s a case of diminishing returns. asserted
it → ’ → returns
The title track is a pale facsimile of 2002’s The Golden Age, from the reverb-soaked melancholia to the high-plains drifter lyrics. asserted
track → soak → lyrics
The low-hanging strings of In the Night repeat his past Nick Drake obsessions, while It Ends Right Here, with sugar-sweet strumming and give-me-a-hug lines such as “All these people that you knew, all these cities you walk through, all this time it took to find you” asserted
it → hang → you
He’s assembled the same band from back in the day and worked with a similar musical template, but too many of the songs remain stagnant, replicating the sonics but lacking the soul. asserted
many → assemble → soul
“I don’t know where I’m going, but it feels like I’ve been here before,” Beck sings on Bleed. asserted
Beck → know → Bleed
He sure has – and he’s done it better. asserted
he → have → it
From the opening seconds of Robert Baxter’s new EP, you’re transported into the sweatiest, most exclusive nightclub you can imagine. asserted
you → open → nightclub
Thumping beats are the order of the day, and if you’re a lover of basslines, you’ll be in heaven (one that is downright debaucherous). asserted
that → thump → heaven
I <3 Girls is a celebration of the trans girls and queer girls in Robert’s life and is begging to be played at countless pre-drinks. asserted
Girls → beg → drinks
In Nameless, they embracing anonymity while partying on the other side of the globe, a canonical event for many Australian 20-somethings. asserted
they → embrace → somethings
It would be easy to write off PARTYANIMAL as the latest in a long line of Australian pop projects that has wholeheartedly embraced clubbier sounds. asserted
that → write → sounds
However, at the heart of the EP lies a sincerity, with their lyricism revealing a more vulnerable side. asserted
lyricism → lie → side
BRB is a response to a music industry figure trying to undermine them, while closer Sky City pays tribute to the community they’ve built around themself, far from their origins growing up in rural Victorian town Shepparton. asserted
they → try → Shepparton
PARTYANIMAL is the type of project begging to be played at Berghain. asserted
PARTYANIMAL → beg → Berghain
It’s best listened to with the lights off and well after a typical bedtime has passed. asserted
bedtime → listen → ?
- Tove Lo: She’s long spun art out of provocation. asserted
She → spin → provocation
Now pop’s messiest star is contemplating motherhood and domesticity. asserted
star → contemplate → motherhood
- Adela: Missing out on Katseye was the best thing to happen to this rising pop star. asserted
Missing → miss → star
- Jem Cassar-Daley: How the daughter of a country music icon became one of Australia’s sharpest pop songwriters. asserted
daughter → become → songwriters
- Slayyyter: After a decade in the doldrums, she was on the verge of quitting music. asserted
she → quit → music
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