"I want my pictures to hurt you, I don't want you having any free rides, I'm there to upset you and I'm there to make you feel uncomfortable the way I feel when I go to bed at night, otherwise there's no point in me going in the first place.
asserted
me → want → place
That is what legendary British war photographer Sir Don McCullin told CBS News ahead of the publication of what he says will be his final book.
asserted
he → tell → publication
For more than 50 years, McCullin covered conflicts across the world, from Cyprus, Biafra and Israel to Lebanon, Afghanistan and Northern Ireland.
asserted
McCullin → cover → Lebanon
Now the 90-year-old is preparing to publish a powerful retrospective of a conflict that defined both his career and a generation: "Vietnam."
asserted
that → prepare → career
The book draws from thousands of images McCullin captured during multiple assignments in Vietnam during the 1960s and early 1970s.
asserted
McCullin → draw → 1960s
Some of McCullin's most iconic work features alongside a selection of never-before-seen photographs, documenting horrors that continue to resonate deep in the American psyche.
asserted
that → feature → psyche
Unflinching and raw, the pictures capture not only the violence and pain suffered by innocent civilians caught in the crossfire, but the gnawing fear and exhaustion of the U.S. Marines with whom McCullin was embedded.
asserted
McCullin → capture → whom
At the heart of the new book is the 1968 Battle of Hue, fought during the notoriously bloody Tet Offensive.
asserted
Battle → fight → Offensive
"It was amazing any of us survived," McCullin told CBS News correspondent Charlie D'Agata at his home in the rolling hills of southwest England.
asserted
McCullin → survive → England
"I was told by a senior officer that there was going to be a 24-hour operation, and you know, 11 days later I was still there.
asserted
I → tell → officer
It was in the ancient city of Hue that McCullin took arguably his most famous photograph — one that became one of the most defining images of the Vietnam War.
asserted
that → take → War
"Shell-shocked US Marine" is as haunting as it is simple: A soldier, motionless and apparently unresponsive, sat clutching his rifle and staring blankly into the distance.
asserted
soldier → sit → distance
"I made five frames of this soldier sitting there and not once did his eyelashes move.
asserted
eyelashes → make → frames
Every one of those frames is identical," McCullin said.
asserted
McCullin → say → frames
He remains uncomfortable with the photograph's fame to this day.
asserted
He → remain → day
"Frankly, I hate this picture, because people think it's the only decent picture I've ever taken."
asserted
I → hate → picture
"It's just that you have to be careful when you make these pictures," he added.
asserted
he → have → pictures
"If you turn them into an iconic picture and they are bearable to look at, you haven't done your job properly because it means that people will accept instead of turning away."
asserted
people → turn → job
The new book also highlights how war photography can blur the line between observer and participant.
asserted
photography → highlight → observer
McCullin described photographing a severely wounded Marine pinned down by enemy fire.
"
asserted
McCullin → describe → fire
I took a picture of this man being held against the wall.
asserted
man → take → wall
This man was wounded and I photographed him."
asserted
I → wound → him
As fellow Marines tried to carry the casualty through a narrow alleyway being peppered with bullets, McCullin put down his cameras and intervened.
"I said, 'Bring him to me' and I put this Marine on my back, and I ran him away along the old medieval wall to safety," he said.
asserted
he → try → safety
McCullin remains deeply affected by what he experienced during the Battle of Hue.
asserted
he → remain → Hue
"To this day, I live that battle every night I go upstairs in this house to go to sleep, every night," he told CBS News.
asserted
he → live → News
It never leaves me."
asserted
It → leave → me
He neither wants nor expects sympathy.
asserted
He → want → sympathy
As McCullin's extraordinary career nears its end, "Vietnam" stands as both a historical document and a personal farewell.
asserted
Vietnam → near → document
More than a collection of wartime photographs, it is a testament to a lifetime spent bearing witness to suffering, and a final reminder of his enduring belief that photography should challenge and disturb rather than offer comfort.
asserted
photography → spend → comfort
All images in the feature are (c) Don McCullin and featured in the book "Vietnam," published by GOST Books.
asserted
images → feature → Books
The Aporia
