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Chase & Status: 'We want to make music that sounds like 2040'

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Cite

Beaumont, M. (2026, September 24). Chase & Status: 'We want to make music that sounds like 2040'. Evening Standard. https://www.standard.co.uk/culture/music/chase-and-status-interview-b1298045.html

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

Evening Standard · collected 2026-09-24 · by Mark Beaumont

Quick Summary

Chase & Status, a UK electronic music duo, recount an incident where they used a helicopter to whisk grime artist Stormzy from a wedding to perform at their Milton Keynes show, which coincided with their song "Backbone" reaching number one on the charts. The article highlights the duo's resurgence in popularity since 2022, marked by successful albums and chart-topping singles that blend various musical styles. It also mentions their headlining performance at Reading & Leeds Festival in 2026, emphasizing their role in uniting diverse genres and artists on stage.
Written by AI on 2026-09-24, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

In 2024, Chase & Status, a prominent drum 'n' bass duo from London, successfully brought grime artist Stormzy to their massive concert in Milton Keys by helicopter when he was serving as best man at someone else's wedding. The duo's track "Backbone," featuring Stormzy, unexpectedly reached No. 1 on the charts that same day, surprising even Stormzy himself. Despite this achievement, Stormzy quickly returned to attend his obligations, highlighting the star-studded nature of their event which drew 100,000 people. Chase & Status, known for pushing musical boundaries and collaborating with new acts like Ledbyher and Saam Sultan, continues to innovate through immersive live experiences called Section 63 and entrepreneurial ventures such as Saul’s Slice pizza business.

Written for “Chase And Status Future Sound Vision” on 2026-11-02, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Chase And Status Future Sound Vision
Entertainment · 1 article(s) covering the same event.

Compared with similar articles

Nothing to compare against. No article is close enough to this one for the pipeline to have linked or judged the pair.
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
81
sentences that state something as happening or true
Uncertain
1%
1 of 81 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
64/100
Evening Standard's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-09-24 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

Evening Standard · 8176 article(s) · 73 correction(s) detected
Running correction rate · 73 correction(s)

Who wrote this

Mark Beaumont
3 article(s) here · 1 carrying a prediction
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Also by Mark Beaumont
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

C&S Chase & Status London Milton Keynes Standard

Subjects

C&S ORG · 3× Milton PERSON · 3× Chase & Status ORG · 2× Milton Keynes GPE · 2× Stormzy PERSON · 2× Tom Grennan PERSON · 2× London GPE · 1× Saul “Chase” Milton PERSON · 1× Standard ORG · 1× Will “Status” Kennard PERSON · 1×

Narrative

And here they are 17 years later, enthused and revitalised by working with — and learning from — cutting-edge new acts like Ledbyher and Saam Sultan, launching pizza businesses (Saul’s Slice) and reimagining the standard dance experience at their immersive Section 63 events where, Kennard explains, “You’re not quite sure where you’re meant to be looking, certain if things are part of a show or are they just happening?
framing: assertive · carried by 1 article(s) · first seen 2026-09-24
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2026-09-24 · Evening Standard
Chase & Status: 'We want to make music that sounds like 2040' · assertive framing

Claims (81 extracted, 1 hedged)

The Standard's journalism is supported by our readers. asserted
journalism → support → readers
When you purchase through links on our site, we may earn an affiliate commission. uncertain
we → purchase → commission
You really know you’ve made it when you barely blink at booking a helicopter to steal Stormzy from a wedding. asserted
you → know → wedding
“It wasn’t his wedding, he was best man,” says Will “Status” Kennard, recalling the night in 2024 when Chase & Status ’coptered in grime’s finest to guest at their enormous Milton Keynes takeover show. asserted
Chase → say → show
“It ruined someone else’s wedding, basically. asserted
It → ruin → wedding
A chopper landed on the lawn, he jumped in it in his tuxedo, flew to Milton Keynes, landed next to the stage, runs on the stage, and he was just standing there at the front of this catwalk to 100,000 people. asserted
he → land → people
It was one of the greatest reactions I’ve ever seen from any live show we’ve ever done.” asserted
we → see → show
He shakes his head. asserted
He → shake → head
“Which is saying something.” asserted
Which → say → something
In the helicopter en route, Stormzy learned that Backbone, the dark, warp-heavy track he’d rapped on — and then pretty much forgotten about — for London’s biggest drum ’n’ bass duo, had just that day become C&S’s first ever No 1. asserted
he → learn → duo
He didn’t stay for backslaps though, having toasts to raise elsewhere. asserted
He → stay → toasts
“He went back,” laughs Saul “Chase” Milton. asserted
Milton → go → ?
But we really wanted that to happen. asserted
that → want → ?
Before he even agreed to it, we were like ‘the chopper’s sorted’.” asserted
chopper → agree → it
The success of Backbone capped a phenomenal chart resurgence for these grandmasters of grand-scale rave. asserted
success → cap → rave
2022’s sixth album What Came Before hit the Top Five and launched a flurry of hits: Disconnect with Becky Hill, Baddadan, Liquor & Cigarettes and the Stefflon Don collab Selecta. asserted
What → come → Hill
Since they first broke big with 2009’s End Credits and went multi-platinum with their second album No More Idols in 2011, the duo have never been more popular, and it all culminated in a pair of celebratory blow-outs as headliners of Reading & Leeds 2026, fire filling the sky and the Reading stage rammed with star guests from many disparate threads of dance, rap and pop. asserted
stage → break → dance
‘It’s this mish-mash of scenes and genres and artists who would never normally work together’ asserted
who → ’ → scenes
“There’s something so special about the family feeling of the show, which we built up over years and years,” Kennard says. asserted
Kennard → ’ → years
“There’s such a big group of people that come around and tour with us now, and they get on really well. asserted
they → ’ → us
It was so lovely seeing Tom Grennan hanging out with Irah and Trigga and Flowdan. asserted
Grennan → see → Irah
It’s this mish-mash of scenes and genres and artists who would never normally work together, all on the same stage. asserted
who → ’ → stage
It was, in a way, a bar-spitting personification of C&S’s long-standing mentality. asserted
It → spit → mentality
Born — as students in Manchester in the mid-2000s — from a mutual love of all strands of drum ’n’ bass and jungle music, Chase & Status have always been a unifying force. asserted
Chase → bear → bass
“From day one, we didn’t just want to make one style of drum ’n’ bass,” says Milton. asserted
Milton → want → drum
“Some people make the liquid style, you make the techy style, you make the dancehall style — we like it all, and so we tried to dip our foot in all of it.” asserted
we → make → it
Throughout their 23 years together they’ve refused to stand still, shifting album-by-album through darker territories, jungle revivals and pan-genre collaborations, until no one blinked at 2017’s Tribe record featuring Craig David, Emeli Sandé and Tom Grennan alongside rappers Kano and Bugzy Malone, and indie rockers Blossoms and Soft Play. asserted
one → refuse → Kano
“We also love garage,” Milton asserts. asserted
Milton → love → garage
“We love dubstep. asserted
We → love → dubstep
We love grime. asserted
We → love → grime
We love rock. asserted
We → love → rock
We love indie. asserted
We → love → indie
We love rap. asserted
We → love → rap
We’re musicphiles. asserted
We → ’re → ?
What I hope that we do is give these other genres the respect they deserve.” A respect that hasn’t always been mutual. asserted
that → hope → respect
When C&S were booked to play Download festival in 2012, plans were laid to give them the welcome traditionally afforded to dance acts at rock festivals: the age-old Rain of Gold. asserted
plans → book → Gold
“There was a campaign to douse us in bottles and bottles of urine,” Milton remembers. asserted
Milton → be → urine
“I was like, ‘I can’t get covered in urine, this a new outfit’. asserted
this → cover → urine
My fiancée was there at the time, it’s going to be pretty embarrassing.” asserted
it → go → time
Come the event, they won the metalheads over. asserted
they → Come → metalheads
…and 41 more, not listed.
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