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Crews filming in Scotland told to hire local as industry booms

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Livingston, E. (2026, September 30). Crews filming in Scotland told to hire local as industry booms. The Guardian. https://www.theguardian.com/uk-news/2026/sep/30/crews-filming-in-scotland-told-to-hire-local-as-industry-booms

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

The Guardian · collected 2026-09-30 · by Eve Livingston

Quick Summary

Scotland's film and television industry is booming, with projects like "Celebrity Traitors" filming at Ardross Castle and contributing £21.8 million to the economy since 2022. However, this growth has raised concerns about local hiring practices; only around 6% of production staff on a recent series were Scottish despite quotas requiring 8%. Academic Peter Strachan is advocating for more transparency in hiring practices, calling for Sony Pictures to disclose details about local crew hires for "Spiderman: Brand New Day." Meanwhile, Screen Scotland’s David Smith emphasizes the need for a sustainable mix of projects and increased support for Scottish production companies.
Written by AI on 2026-09-30, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

The Scottish film and TV industry is booming, projected to be worth £1bn to the economy by 2030. However, despite this growth, a study by documentary filmmaker Peter Strachan revealed that only about 6% of production staff on the show "The Traitors" were Scottish, even though the BBC is required to use at least 8% of network hours and expenditure in Scotland due to Ofcom quotas. This highlights concerns over local hiring practices and opportunities for Scottish talent within the industry. The economic impact of such productions is significant; Celebrity Traitors alone added £21.8m to Scotland's economy since 2022 through employment, supply chain spend, and tourism related to filming locations.

Written for “Scottish Film Industry Growth” on 2026-11-02, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Scottish Film Industry Growth
Entertainment · 1 article(s) covering the same event.

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How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
30
sentences that state something as happening or true
Uncertain
3%
1 of 30 hedged ("reportedly", "may", "according to")
Leaning
withheld
no quote in the article backed the model's score
Publisher signals
66/100
The Guardian's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-09-30 · how these are computed

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Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

The Guardian · 2840 article(s) · 6 correction(s) detected
Running correction rate · 6 correction(s)

Who wrote this

Eve Livingston
2 article(s) here · 1 carrying a prediction
🔮 But by the time John Swinney stands up to address members on Saturday afternoon in Aberdeen to reinvigorate the case for a second independence referendum, his party may regret giving the UK prime minister so much prominence in the conference buildup.
🔮 The country’s screen sector growing year on year, is projected to be worth £1bn to the economy by 2030.
Also by Eve Livingston
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

BBC Glasgow New York Scotland Scottish

Subjects

Scottish NORP · 8× Scotland GPE · 6× BBC ORG · 3× Glasgow GPE · 3× Strachan PERSON · 2× Gotham City GPE · 1× Indiana Jones PERSON · 1× New York GPE · 1× Peter Strachan PERSON · 1× Standing Up For Scotland’s ORG · 1×

Narrative

But research last year by documentary filmmaker and academic Peter Strachan, who set up the Standing Up For Scotland’s Screen Talent campaign group, found that only around 6% of production staff on series three of The Traitors were Scottish, despite the production counting towards Ofcom quotas stating the BBC must use 8% of network hours and expenditure in Scotland.
framing: assertive · carried by 1 article(s) · first seen 2026-09-30
🔮 The country’s screen sector growing year on year, is projected to be worth £1bn to the economy by 2030.
2026-09-30 · The Guardian
Crews filming in Scotland told to hire local as industry booms · assertive framing

Claims (30 extracted, 1 hedged)

Scotland’s striking Ardross Castle, the oldest star of Celebrity Traitors, which kicks off on Thursday night, is just one of the stops on the Scottish tourist board’s “screen tourism” trail. asserted
which → kick → trail
From Outlander and The Odyssey filming in the Highlands and islands, to Glasgow city centre standing in for New York and Gotham City respectively in the latest instalments of Indiana Jones and Batman, film and TV is increasingly big business in Scotland. asserted
film → film → Scotland
The country’s screen sector growing year on year, is projected to be worth £1bn to the economy by 2030. asserted
sector → grow → 2030
But while some have celebrated the upsides of a booming production sector, others highlight a lack of opportunities for Scottish talent and the challenges of excessive tourism in areas featured on screen. asserted
others → celebrate → screen
Following last year’s Celebrity Traitors finale, the BBC announced the show had added £21.8m to the Scottish economy since 2022 through employment, supply chain spend and screen tourism, where visitors travel specifically to see on-screen sites in real life. asserted
visitors → follow → life
But research last year by documentary filmmaker and academic Peter Strachan, who set up the Standing Up For Scotland’s Screen Talent campaign group, found that only around 6% of production staff on series three of The Traitors were Scottish, despite the production counting towards Ofcom quotas stating the BBC must use 8% of network hours and expenditure in Scotland. asserted
BBC → set → Scotland
“This is the tip of the iceberg.” Strachan wrote at the time. asserted
Strachan → write → time
“We have found many other supposedly Scottish productions are failing to create jobs for broadcast freelancers in Scotland.” asserted
productions → find → Scotland
The BBC reiterated that The Traitors was a Scottish production and Studio Lambert, who make the show, said Scottish representation was increasing behind the scenes each year. asserted
representation → reiterate → scenes
Earlier this month, Strachan also called for Sony Pictures to release a breakdown of the local crew hired in Glasgow for Spiderman: Brand New Day, which filmed in the city in 2025. asserted
which → call → 2025
“Local hiring is not necessarily the same thing as employing Scotland’s established screen-sector workforce,” he said. asserted
he → employ → workforce
“Someone can be locally hired to work on a film without normally working in film and television – a Glasgow carpenter brought in for a few weeks of set construction, for example.” asserted
Someone → hire → example
David Smith, interim Executive Director of Screen Scotland, the national body for the country’s film and TV industry, said Scotland had benefitted from its growing screen sector, but that there had been a “consistent decline” in the number of shows commissioned by public service broadcasters from Scottish production companies. asserted
Scotland → say → companies
“We think this needs to change,” Smith said. asserted
Smith → think → ?
“Ultimately, we want to see a sustainable mix of film and TV projects made across genres, broadcasts and platforms.” asserted
we → want → genres
Even for those not directly involved in the industry, its effects are still being felt. asserted
effects → involve → industry
Glenfinnan, in Lochaber in the Highlands, is home to only around 150 people – as well as a majestic viaduct made world-famous when it doubled as the Hogwarts Express railway bridge in the Harry Potter films. asserted
it → make → films
In the years since, the tiny hamlet has become so overrun with film tourists that Police Scotland last month issued a warning to visitors over dangerous parking and anti-social behaviour. asserted
Scotland → become → parking
Gillian Shields, 54, lives in Inverness, close to the village of Culloden, where the Clan Fraser stone has become a major tourist attraction for fans of historical fantasy series Outlander. asserted
stone → live → Outlander
In 2023, the site was temporarily closed after deterioration caused by excessive visitor numbers. asserted
site → close → numbers
“People here are welcoming, and most of the visitors are lovely and respectful,” she said. asserted
she → say → visitors
“We’re not trying to turn anyone away, it’s just we see more and more every single year and it’s a worry whether our beautiful area can keep up with it.” asserted
area → try → it
Culloden battlefield, which features heavily in Outlander, saw a 43% increase in visitor numbers last year, according to data from Glasgow Caledonian University and the Association of Scottish Visitor Attractions. uncertain
which → feature → Attractions
Jenni Steele, film and creative industries manager at VisitScotland, said the benefits of film tourism “are worth millions to the economy, bringing jobs and opportunities, and are felt long after the film or TV series is released”. asserted
series → say → jobs
But, she said, “we know that success can bring with it challenges in certain locations. asserted
success → say → locations
Film and TV fans will be drawn to them regardless. asserted
fans → draw → them
That’s why we work with partners and local bodies to understand the challenges so we can educate and inform visitors of where and when they should visit and encourage them to act responsibly and explore beyond the on-screen locations. asserted
they → ’ → locations
Matthew, 42, lives in Glasgow city centre and has watched on in recent years as the streets around his home have been transformed into everything from 1960s New York (Indiana Jones and the Dial of Destiny) to dystopian America (The Running Man) and Soviet-era Moscow (Tetris). asserted
streets → live → America
“Some people moan about road closures and parking, but it’s great to see the city buzzing with excitement when a new show comes to town,” he said, noting that local residents he knew had been employed as extras, and nearby restaurants as on-set catering suppliers. asserted
he → moan → suppliers
“The city needs those jobs and that money – and, to be frank, a bit of fun and glamour never hurt a Glaswegian either.” asserted
bit → need → Glaswegian
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