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Victoria Monét’s ‘Frequency of Love’ aims to strike the optimal sonic vibration

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Cite

Hamilton, G. G. (2026, October 1). Victoria Monét’s ‘Frequency of Love’ aims to strike the optimal sonic vibration. Toronto Star. https://www.thestar.com/entertainment/music/victoria-mon-t-s-frequency-of-love-aims-to-strike-the-optimal-sonic-vibration/article_80a564be-ecfe-5748-be1a-8972375f0759.html

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

Toronto Star · collected 2026-10-01 · by Gary Gerard Hamilton

Quick Summary

Victoria Monét releases her new 22-track album "Frequency of Love" on Friday, following a three-year hiatus since her Grammy-winning "Jaguar II." The album features singles like "Reach Out," "Juicy," and "Let Me," with contributions from artists such as Bruno Mars, SZA, Bryson Tiller, Leon Thomas, and Chlöe Bailey. Monét draws inspiration from classic '90s R&B and Michael Jackson's artistic evolution, aiming to explore various forms of love through her music.
Written by AI on 2026-10-01, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

Victoria Monét’s new album "Frequency of Love" released on Friday, following a three-year break since her Grammy-winning project "Jaguar II." The 22-track studio album includes singles like the house-flavored “Reach Out,” yacht R&B-inspired “Juicy,” and “Let Me,” which has already reached No. 1 on Billboard’s adult R&B airplay chart. Featured collaborators include music icons Bruno Mars and SZA, alongside other notable artists such as Bryson Tiller, Leon Thomas, and Chlöe Bailey. Monét also mentioned she recently toured Europe with Bruno Mars’ “The Romantic” tour and is set to embark on her own “Frequency of Love” tour across 27 North American cities starting in late October.

Written for “Victoria Monté New Album” on 2026-11-02, grounded in this article and the 0 other(s) covering the same event.

Story

📰 Victoria Monté New Album
Entertainment · 1 article(s) covering the same event.

Compared with similar articles

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How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
40
sentences that state something as happening or true
Uncertain
2%
1 of 40 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
64/100
Toronto Star's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
1
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-01 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

Toronto Star · 11028 article(s) · 28 correction(s) detected
Running correction rate · 28 correction(s)
2026-10-26
Correction
2026-10-24
Correction
2026-10-07
Correction
2026-09-24
Correction

Who wrote this

Gary Gerard Hamilton
2 article(s) here · 1 carrying a prediction
🔮 “I just made my version of what I would make with that mindset.”
🔮 Sheeran said the tour promoter made the decision, which in turn said venues would not allow Macklemore to perform.
Also by Gary Gerard Hamilton
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

Billboard NEW YORK R&B SZA The Associated Press

Subjects

Monét PERSON · 9× Michael Jackson’s PERSON · 2× Billboard ORG · 1× Bruno Mars PERSON · 1× Bryson Tiller PERSON · 1× NEW YORK GPE · 1× R&B ORG · 1× SZA PERSON · 1× The Associated Press ORG · 1× Victoria Monét PERSON · 1×

Narrative

Monét was in the recording studio — and in the kitchen Recently serving as a special guest on the European stretch of Bruno Mars’ “The Romantic” tour, Monét is gearing up for her own “Frequency of Love” dates, visiting 27 North American cities starting in late October.
framing: assertive · carried by 1 article(s) · first seen 2026-10-01
🔮 “I just made my version of what I would make with that mindset.”

Claims (40 extracted, 1 hedged)

NEW YORK (AP) — Victoria Monét won’t take it personally if you call her upcoming album a comeback, even though it has only been a three-year break. asserted
it → take → album
“It should be normal to take time to create your next album. asserted
It → take → album
I know we live in a world where we want everything fast,” the three-time Grammy winner said in an interview with The Associated Press. asserted
winner → know → Press
For inspiration, she said she had to let life take its course. asserted
life → say → course
“I’m OK with people asking for more music or feeling like, ‘Dang, I missed her asserted
I → ’m → her
Or this is a comeback, because that makes me feel like there was a gap in time where they noticed that I was gone,” the artist said. asserted
artist → make → time
The “On My Mama” singer returns Friday with “Frequency of Love,” a 22-track studio project that follows her Grammy-winning “Jaguar II,” which she made in 2023. asserted
she → return → 2023
The new album is powered by singles like the house-flavored “Reach Out,” yacht R&B-inspired “Juicy” and “Let Me,” which is a slow jam that already reached No. 1 on Billboard’s adult R&B airplay chart. asserted
that → power → chart
Some of the new work features heavyweights Bruno Mars and SZA, as well as R&B hitmakers Bryson Tiller, Leon Thomas and Chlöe Bailey. asserted
Some → feature → heavyweights
“I’m really, really, really passionate about love. asserted
I → ’m → love
A lot of it was just reflective of what I was going through or feeling while dating,” said Monét, who originally considered creating a yacht-R&B album. asserted
who → go → album
“The album covers many bases, including love for my daughter, love for the world, what I want to see for it.” asserted
I → cover → it
Monét aimed to channel Michael Jackson’s risk-taking artistry “Frequency of Love,” executive produced by Camper, takes listeners on a sonic excursion beyond romance, with several interpolations of classic ‘90s R&B songs skillfully peppered throughout. asserted
interpolations → aim → songs
“Almost,” which includes a reference to Brandy’s “Almost Doesn’t Count,” is a sensual take on feeling sexually unsatisfied, while “For You” reimagines Kenny Lattimore’s classic romantic ballad. asserted
Almost → include → ballad
“Care for Somebody (Interlude)” is Monét’s rendition of a song she first encountered as a child while watching Halle Berry in “Introducing Dorothy Dandridge” with her grandmother. asserted
she → encounter → grandmother
Michael Jackson’s musical growth between “Off the Wall” and “Thriller” inspired Monét’s creative process. asserted
growth → inspire → process
While she’s quick to halt any comparison to the commercial and critical acclaim of one of music’s most prolific artists, she aimed to channel the same risk-taking artistry. asserted
she → ’ → artistry
“I did not make ‘Thriller,’” Monét said. asserted
Monét → make → Thriller
“I just made my version of what I would make with that mindset.” asserted
I → make → mindset
The singer, 37, is keenly aware of heightened expectations. asserted
singer → heighten → expectations
But she was slightly unprepared for some negativity that followed her 2024 Grammy wins for best new artist, best R&B album and best non-classical engineered album. asserted
that → follow → artist
“I think there was a flip from me being an underdog that everyone wanted to support,” she said. asserted
she → think → that
“If I get millions of supporters, I can also have millions of haters. asserted
I → get → haters
But who am I paying attention to? asserted
I → pay → attention
And that’s what the album for me is about.” asserted
album → ’ → me
Monét was in the recording studio — and in the kitchen Recently serving as a special guest on the European stretch of Bruno Mars’ “The Romantic” tour, Monét is gearing up for her own “Frequency of Love” dates, visiting 27 North American cities starting in late October. asserted
Monét → serve → October
After beginning her career penning songs for Ariana Grande, Blackpink, Chloe x Halle and Selena Gomez, Monét is still interested in writing collaborations and working with “unexpected” artists. asserted
Monét → begin → artists
She also dreams of writing scripted TV and film projects, including a comedy. asserted
She → dream → comedy
A creative at heart, Monét also recently graduated from the Institute of Culinary Education as its top student. asserted
Monét → graduate → student
During class, she’d listen to music associated with the country of the dish she was preparing. asserted
she → listen → dish
Often bringing meals to her production team during recording sessions, she says the vibes of the international music, and the camaraderie that food and fellowship can bring, would influence some of the sonic tones of her songs. asserted
food → bring → songs
So why would a performer at the height of her career become a chef? asserted
performer → become → career
I want to do something that I don’t get paid for, that I’m not defined by,” said Monét. asserted
Monét → want → that
“You don’t have to make your schedule around only the things that clearly pay you. asserted
that → have → you
And you never know where it will take you.” asserted
it → know → you
“Frequency of Love” will largely dictate where her career is headed next. asserted
career → dictate → Love
But Monét hopes to move with intention and a spirit of gratitude, which she’s prioritizing throughout her life. asserted
she → hop → life
“I went through a moment where I was critical of everything. asserted
I → go → everything
I was looking around and seeing what could be better: criticizing myself, the workplace, the state of my mood, the state of music, state of voice, my body, just nitpicking everything,” she said. uncertain
she → look → everything
“And so, it’s really been a journey to come to a place where I can operate in that shift — that paradigm shift — that makes me OK with everything that is, and also OK with everything that is going to come.” asserted
that → come → everything
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