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Florence Pugh is brilliant, but this epic Netflix remake is a slog

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Northover, K. (2026, October 2). Florence Pugh is brilliant, but this epic Netflix remake is a slog. The Sydney Morning Herald. https://www.smh.com.au/culture/tv-and-radio/florence-pugh-is-brilliant-but-this-epic-netflix-remake-is-a-slog-20261002-p6121o.html?ref=rss&utm_medium=rss&utm_source=rss_feed

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

The Sydney Morning Herald · collected 2026-10-02 · by Kylie Northover

Quick Summary

Netflix's remake of John Steinbeck's "East of Eden," written and produced by Zoe Kazan, explores a multi-generational saga set from post-Civil War America to World War I. The series focuses on the Trask brothers, Adam and Charles, their father Cyrus, and the enigmatic Cathy Ames portrayed brilliantly by Florence Pugh. Despite critical disdain for Steinbeck's original work in 1952, Kazan's modern adaptation attempts to offer a nuanced interpretation of Cathy as an independent woman rather than just a symbol of evil.
Written by AI on 2026-10-02, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

Netflix's new seven-episode miniseries "East of Eden", based on John Steinbeck’s 1952 classic novel, premiered with mixed reviews. Directed by Zoë Kazan (granddaughter of Elia Kazan), the series delves deep into the character of Cathy Ames, portrayed brilliantly by Florence Pugh. Set in the early 1900s and spanning from the end of the American Civil War to World War I, it follows brothers Adam and Charles Trask as their lives are upended by Cathy's manipulative actions. While praised for its emotional depth and faithfulness to the source material, critics noted that the show requires patience due to its slow pacing and complex narrative structure. The series balances intense drama with quieter moments of moral reflection and biblical allusions, making it a challenging yet rewarding viewing experience for those familiar with Steinbeck’s work.

Written for “East of Eden Netflix Adaptation” on 2026-11-01, grounded in this article and the 2 other(s) covering the same event.

Story

📰 East of Eden Netflix Adaptation
Entertainment · 3 article(s) covering the same event. See how they differ ↓

Compared with similar articles

This article reads unscored and hedges 3% of its claims. Each row says how that neighbour differs.
New York Post
Hedges 0 of 28 claims Outlet record 66/100
TIME
⚖️ Leans left Hedges 8 of 84 claims Outlet record 59/100
“The articles discuss different aspects and critiques of Steinbeck's East of Eden, but they are not reporting on a single specific incident or occurrence involving the book or its remake.”
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
30
sentences that state something as happening or true
Uncertain
3%
1 of 30 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
3
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-02 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

The Sydney Morning Herald · 5709 article(s) · 15 correction(s) detected
Running correction rate · 15 correction(s)

Who wrote this

Kylie Northover
4 article(s) here · 1 carrying a prediction
🔮 Even his addiction, we’re told, is caused by the opiates he was prescribed after a jetski accident; it’s not until the final episode that his struggle with depression is mentioned, his reason for using the Ketamine that would end his life.
🔮 “And you don’t say thank you when someone gives you a plant, or it will die,” she tells me over Zoom from her home in southwestern Virginia.
🔮 East of Eden ★★★ When John Steinbeck’s East of Eden was published in 1952, The New Yorker’s review was famously scathing of the novel, essentially a secular retelling of the Book of Genesis, describing it as “the precise equivalent of those 19th-century melodramas in which the villains could always be recognised because they waxed their moustaches”.
🔮 But when the date, Michael (Tim McInnerny), reveals he’s 67, he might as well have said 97 by the look on Alex’s face.
Also by Kylie Northover
Nothing else under this byline is closely related to this article, so these are simply their most recent.

Topics

American Irish-American The New Yorker’s the American Civil War the Great War

Subjects

Adam PERSON · 5× Cathy PERSON · 4× Charles PERSON · 3× Abel PERSON · 2× Cain PERSON · 2× Cyrus PERSON · 2× Kazan PERSON · 2× Lee PERSON · 2× Steinbeck PERSON · 2× Trask PERSON · 2×

Narrative

Written and produced by actor/writer Zoe Kazan, whose grandfather Elia directed the 1955 film adaptation that launched the career of James Dean, this incarnation allows for the entire multi-generational saga to play out, from the end of the American Civil War to the end of the Great War.
framing: assertive · carried by 1 article(s) · first seen 2026-10-02
🔮 East of Eden ★★★ When John Steinbeck’s East of Eden was published in 1952, The New Yorker’s review was famously scathing of the novel, essentially a secular retelling of the Book of Genesis, describing it as “the precise equivalent of those 19th-century melodramas in which the villains could always be recognised because they waxed their moustaches”.
2026-10-02 · The Sydney Morning Herald
Florence Pugh is brilliant, but this epic Netflix remake is a slog · assertive framing

Claims (30 extracted, 1 hedged)

East of Eden ★★★ When John Steinbeck’s East of Eden was published in 1952, The New Yorker’s review was famously scathing of the novel, essentially a secular retelling of the Book of Genesis, describing it as “the precise equivalent of those 19th-century melodramas in which the villains could always be recognised because they waxed their moustaches”. uncertain
they → publish → moustaches
Other critics similarly decried it as overly melodramatic. asserted
critics → decry → it
Almost 75 years on, even with the rise of classic literary IP on streaming platforms, it seems an unusual choice for a modern update. asserted
it → stream → update
Then again, in some ways, a deeply American biblical allegory feels apt for the times – at least in the US. asserted
allegory → feel → US
Written and produced by actor/writer Zoe Kazan, whose grandfather Elia directed the 1955 film adaptation that launched the career of James Dean, this incarnation allows for the entire multi-generational saga to play out, from the end of the American Civil War to the end of the Great War. asserted
saga → write → War
The original story – essentially a tale of the eternal conflict between good and evil – focused on two families, the Trasks and the Irish-American Hamiltons. asserted
story → focus → families
The former mirrored the story of Cain and Abel and the latter family was based on Steinbeck’s own family, representing wisdom and moral stability. asserted
family → mirror → wisdom
Kazan has modified the retelling to focus more on the Trask family, although the Hamilton patriarch, Samuel (Ciarán Hinds), also features in this seven-part reimagining. asserted
patriarch → modify → reimagining
We first meet Trask brothers Adam (Christopher Abbott) and Charles (Mike Faist) as boys, played off against one another by their domineering war hero father, Cyrus (Tracy Letts). asserted
We → meet → father
Cyrus harbours a secret only revealed after his death, and which hangs over the brothers, who spend decades estranged. asserted
who → harbour → decades
Once reunited, Adam and Charles are living on the family farm when Cathy Ames (Florence Pugh) enters their lives. asserted
Ames → reunite → lives
She turns up bloody and beaten and, against Charles’ advice, Adam insists on taking her in and nursing her back to health – before falling in love with her. asserted
Adam → turn → her
She’s a liar, a killer and a sociopath. asserted
She → ’ → ?
Or she is supposed to be. asserted
she → suppose → ?
In Steinbeck’s story there’s little nuance to Cathy: she’s the embodiment of evil, a Satanic force. asserted
she → ’ → evil
But Kazan has positioned this Cathy as “a fiercely independent woman”. asserted
Kazan → position → woman
It’s a somewhat baffling notion considering the character still adheres fairly closely to the book. asserted
character → ’ → book
Pugh, though, is brilliant as the remorseless woman who abandons her twin babies for a life as a brutal brothel madam, leaving them to be raised by Adam’s housekeeper Lee (Hoon Lee), the embodiment of good to Cathy’s evil. asserted
who → abandon → evil
The twins, Caleb (impressive young Australian actor Joseph Zada) and Aron (Joe Anders, son of Kate Winslet and Sam Mendes), have been destined to follow a similar path to Adam and his brother – another generation of Cain and Abel. asserted
twins → destine → Cain
It’s Lee, with his knowledge of the original Hebrew phrase “timshel” (“thou mayest”, meaning the free will we all have to choose a path of good or evil), who ensures this mostly bleak story ultimately has some spark of redemption. asserted
story → ’ → redemption
Netflix’s lengthy list of “do not reveal” moments means I can’t discuss much of the (slow burning) plot – IYKYK – but overall, this series is for those with patience and a love of character-driven drama and a wide shot. asserted
series → reveal → drama
The production design is gorgeous (even if it’s occasionally obvious that it’s New Zealand standing in for California). asserted
it → ’ → California
But unlike similar series embracing the classic cinematic melodrama vibe (such as Cape Fear), the heavy-handed biblical symbolism and the slow pacing can be something of a slog. asserted
symbolism → embrace → slog
East of Eden is streaming on Netflix now. asserted
East → stream → Netflix
We’ve got you. asserted
We → get → you
Get The Watchlist delivered every Thursday. asserted
Watchlist → get → ?
- What’s Julia Morris doing after I’m a Celebrity? asserted
I → do → What
Whatever she wants. asserted
she → want → Whatever
- Last Meals: Why TV is full of celebrities eating chicken and doing Tim Tam slams. asserted
celebrities → eat → slams
Meet the man who inspired the show. asserted
who → meet → show
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