It started on a holiday cruise.
asserted
It → start → cruise
You know the type: a picture postcard journey, drifting through islands, sunsets and dinner buffets.
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You → know → islands
Everyone is there to socialise, but do you really take a cruise to make friends?
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you → socialise → friends
On just such a cruise, a couple – friends of Moffat and his wife, producer Sue Vertue – encountered a “charismatic and charming American lady, who seemed to be friends with everyone on board,” Moffat says.
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Moffat → encounter → board
“They reluctantly exchanged email addresses, as we Brits always do, and she [subsequently] invited herself to stay.
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she → exchange → herself
At the very last minute, the couple Googled her unusual name and discovered she was a murderess, whose crimes had drawn headlines long before she’d embarked on her European holiday.
asserted
she → google → holiday
To protect her anonymity, and the cruising couple’s safety, we will spare you the garish details of what actually transpired.
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what → protect → details
“She was on the loose and making friends with people,” Moffat says.
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Moffat → make → people
In real life, they emailed her, made their excuses, and the holidaymaker murderess was never heard from again.
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murderess → email → excuses
But when the story was related to Moffat, he said: “Oh please, can I have that, and can I just change one thing?
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I → relate → thing
Can she arrive before you managed to send the email?”
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you → arrive → email
The Unfriend is Moffat’s first play and is now showing at Roslyn Packer Theatre for the Sydney Theatre Company.
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Unfriend → show → Company
It seems almost strange Moffat had not written for the stage before, but writing for television kept him busy: Press Gang, Coupling, Sherlock, Dracula and Doctor Who are among his long list of credits.
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Gang → seem → credits
To ice the cake, the play turned into a hit of its own.
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play → ice → own
It has been mounted in London’s West End, in the United States – heaven help us all if the holidaymaker murderer ever sees it – and across Europe.
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murderer → mount → Europe
In that sense, she’s akin to Beverly Moss, the status-obsessed dinner party hostess of Abigail’s Party.
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she → ’ → Party
She’s not as detached as Mrs Danvers in Rebecca, nor as wretched as Madame Thénardier in Les Misérables, but the more you stare at her, you realise she’s cut from the same hideous (also: fabulous) cloth.
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she → ’ → cloth
“She’s a really awful person, she kills people, but, you can’t write someone that way,” Moffat says.
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Moffat → ’ → someone
“It’s that horrifying thing, the worst person you know is right sometimes, and Elsa is right sometimes.
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Elsa → ’ → ?
Her final monologue is relatively persuasive, you know ... edit humanity a little bit, who says you can’t kill the occasional person?
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you → know → person
“You can’t write as a judgment,” Moffat adds.
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Moffat → write → judgment
“You can’t decide this is an awful person; therefore they will only say awful things and be wrong all the time.
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they → decide → things
That is what all liberals like me want to do; we always want to make the people who don’t agree with us evil all the time, [and] well, that’s just not true.
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that → want → us
Everybody’s right sometimes.”
asserted
Everybody → ’ → ?
In that sense, it’s easy to overlay a modern-day context to The Unfriend and go searching for hints of the modern political divide: meeting a new neighbour, workmate or, indeed, a woman on a cruise, and discovering she wears different political colours and the friendship is instantly poisoned.
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friendship → ’ → colours
Where do we all go from there?
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we → go → ?
The decade has changed, Moffat agrees, but the question is the same.
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question → change → ?
“Go away, transplant yourself back in time and tell me what the lovely decade was,” he says.
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he → go → me
“What are you missing?
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you → miss → What
They say it’s uniquely divisive now, I just don’t know when it wasn’t.”
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it → say → ?
The difference, he thinks, is survival.
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he → think → ?
“We’ve survived the past; therefore we think it’s all tame and nice.
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it → survive → past
We haven’t survived the present yet.”
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We → survive → present
Since its creation in 2020, the script has had to deal with tense changes – Donald Trump’s presidency, for example, went from present tense to past and then back again to present.
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presidency → have → present
And in the US production, which was staged in Florida, he was excised entirely.
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he → stag → Florida
“Because, they said, whichever side of that divide you’re on, no one’s finding it funny,” Moffat recalls.
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Moffat → say → divide
Having added playwright to an already long bow, it is also true that Moffat may never quite escape his own filmography.
uncertain
Moffat → add → filmography
His iconic children’s series Press Gang is remembered – alongside Grange Hill, The Kids of Degrassi Street and Degrassi Junior High – for ambitious storytelling and sharp social commentary.
asserted
series → remember → storytelling
So, where’s this generation’s Press Gang?
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Gang → ’ → ?
The answer, he says, is complicated.
asserted
he → say → ?
…and 25 more, not listed.