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Josh Hartnett’s new Netflix thriller starts with a bang – then hits murky waters

Read the original at The Sydney Morning Herald ↗
Cite

Richards, J. (2026, October 8). Josh Hartnett’s new Netflix thriller starts with a bang – then hits murky waters. The Sydney Morning Herald. https://www.smh.com.au/culture/tv-and-radio/below-review-netflix-josh-hartnett-david-wenham-horror-thriller-20261008-p613m5.html?ref=rss&utm_medium=rss&utm_source=rss_feed

Dated when The Aporia collected the article, usually within hours of publication. Check the original for its exact date and byline.

The Sydney Morning Herald · collected 2026-10-08 · by Jared Richards

Quick Summary

Netflix's new six-episode miniseries "Below" starts with a mysterious and menacing premise involving a house sinking in the waters of Newfoundland, Canada, in 1986. The story then shifts to the present day where Calvin Penney (played by Josh Hartnett) grapples with his past and environmental challenges while dealing with a monstrous threat resurfacing from the sea. While praised for its distinct portrayal of Newfoundland’s culture and accent, the series struggles to maintain intrigue beyond its captivating opening, failing to fully capitalize on its promising elements.
Written by AI on 2026-10-08, from this article's own text only (the story summary below draws on all the coverage).

AI analysis

Story summary

In 1986, Netflix's miniseries Below opens with a family home being pulled by a tugboat across foggy waters off the coast of remote Newfoundland, Canada. An unseen force causes the house to sink, trapping Calvin Penney’s father inside and compelling Calvin to cut the rope to save others on board. Fast forward to modern times, Calvin (played by Josh Hartnett), now a widowed fisherman struggling with environmental laws that prevent him from fishing, earns money harvesting arctic ice for tourists. Despite this, his community faces government resettlement plans due to economic decline, reflecting themes of cultural loss and resilience in remote areas.

Written for “Josh Hartnett's Below On Netflix” on 2026-10-31, grounded in this article and the 1 other(s) covering the same event.

Story

📰 Josh Hartnett's Below On Netflix
Entertainment · 2 article(s) covering the same event. See how they differ ↓

Compared with similar articles

This article reads unscored and hedges 0% of its claims. Each row says how that neighbour differs.
New York Post
Hedges 2 of 28 claims Outlet record 66/100
How this article was measured signals, leaning charts, publisher record, byline, topics and claims

Signals How these are calculated →

Claims extracted
25
sentences that state something as happening or true
Uncertain
0%
0 of 25 hedged ("reportedly", "may", "according to")
Leaning
not political
takes no side on a contested political question
Publisher signals
61/100
The Sydney Morning Herald's corrections and hedging, across everything collected from it. Not a measure of accuracy.
Outlets on this story
2
Entertainment
Same framing elsewhere
1
articles that frame the event the way this one does
Analyzed 2026-10-08 · how these are computed

How this is being covered How these are calculated →

Article leaning vs. publisher reliability
Source leaning vs. consistency

Publisher

The Sydney Morning Herald · 5658 article(s) · 15 correction(s) detected
Running correction rate · 15 correction(s)

Who wrote this

Jared Richards
7 article(s) here · 1 carrying a prediction
🔮 Where a lesser actor might have pushed harder on the creepy voice without reason, Graham uses it only how Walter would: as a trap.
🔮 Given reality TV’s tendency to exploit, psychologists (armchair and professional) and academics questioned how Netflix’s version, produced for entertainment, could possibly be ethical.
🔮 Putting aside the body count, maybe it’s just what the town and Calvin need?
🔮 Purists will take issue, no doubt, with the central role that an anonymous Instagram account takes in Carrie’s bullying, resulting in scenes that feel a little too close to Gossip Girl or Mean Girls.
2026-10-01 · assertive framing · This is the most brutal retelling of Carrie yet
🔮 His attempt to trash-talk the ex – “he always has a hot dog at the movies!” – doesn’t help but maybe his soulful, philosophical friend can?
🔮 Any sudden movements, such as Kiritsis letting go of the gun if he was shot, and the trigger would fire the gun.
Also by Jared Richards
This is the most brutal retelling of Carrie yet
2026-10-01 · The Sydney Morning Herald
Nothing else under this byline is closely related to this article, so these are simply their most recent.
All 7 articles by Jared Richards →

Topics

Airbnb Below Canadian Netflix Newfoundland

Subjects

Netflix ORG · 4× Newfoundland GPE · 4× Below ORG · 3× Calvin PERSON · 3× Canadian NORP · 3× Josh Harnett PERSON · 1× Oppenheimer PERSON · 1× Penneys PERSON · 1× Trap PERSON · 1× Wade PERSON · 1×

Narrative

Years before remaking Carrie, Mike Flanagan unleashed vampires onto a small, isolated island town to great effect in Midnight Mass, a Netflix miniseries that delivered both scares and cerebral thrills, reflecting on how a remote community can continue after its industry and culture has effectively died.
framing: assertive · carried by 1 article(s) · first seen 2026-10-08
🔮 Putting aside the body count, maybe it’s just what the town and Calvin need?
2026-10-08 · The Sydney Morning Herald
Josh Hartnett’s new Netflix thriller starts with a bang – then hits murky waters · assertive framing

Claims (25 extracted, 0 hedged)

In the opening scenes of Netflix’s horror-lite miniseries Below, a two-storey home floats across foggy waters, being pulled by a small tugboat holding the Penneys, a local family of four. asserted
home → open → four
It’s 1986, and small towns on the remote Canadian island of Newfoundland are being resettled by the government, consolidated into larger communities. asserted
towns → ’ → communities
Disaster strikes when the home is sunk by an underwater force, compelling young Calvin to cut the rope to save everyone on-board – and doom his father, trapped in the house. asserted
home → strike → house
Below’s intriguing, menacing opening isn’t matched as the six-episode series jumps forward to the present day. asserted
series → match → day
Calvin (Josh Harnett, the former ’00s heartthrob experiencing a renaissance spurned by darker roles in Trap and Oppenheimer) is now a hardened widower and fisherman, albeit one who can’t fish due to environmental laws. asserted
who → experience → laws
He makes his money by harvesting arctic ice, used in an expensive cocktail for tourists. asserted
He → make → tourists
His oldest children have left, though his layabout son Wade (Charlie Heaton of Stranger Things) entertains their Airbnb guests: “I consider myself a fisherman, though I’ve never fished”, he tells a couple, no doubt a well-worn line. asserted
he → leave → couple
Harnett, Heaton and the rest of the cast deliver Newfoundland’s distinct accent – a jarring blend of Canadian, Irish and The Simpsons’ Sea Captain – and strange slang with full-throated enthusiasm. asserted
Harnett → deliver → enthusiasm
Sweetest ice you’ve ever seen” are common. asserted
you → see → ?
Speaking of ice, it’s a giant smelly piece in the harbour that marks the creature’s return, wreaking bloody havoc. asserted
that → speak → havoc
Inspired by showrunner Jesse McKeown’s (The Umbrella Chronicles) own time on Newfoundland, Below is a thoughtful, distinct portrait of an eclectic, subarctic community for whom struggle is built into its identity. asserted
struggle → inspire → identity
It’s also a B-movie-inspired monster bash. asserted
It → ’ → ?
That mix can work. asserted
mix → work → ?
Years before remaking Carrie, Mike Flanagan unleashed vampires onto a small, isolated island town to great effect in Midnight Mass, a Netflix miniseries that delivered both scares and cerebral thrills, reflecting on how a remote community can continue after its industry and culture has effectively died. asserted
industry → remake → scares
A similar backdrop’s at play with Below’s Snook’s Arm: a real Newfoundland town closed by the Canadian government in 2017 but here still alive in 2026, albeit fighting off both another resettlement and a menacing, ultra-powerful sea monster. asserted
backdrop → ’ → resettlement
Putting aside the body count, maybe it’s just what the town and Calvin need? asserted
town → put → what
Unfortunately, Below is most intriguing in its mysterious first half before so many of its promising elements – including David Wenham as a shadowy Australian researcher – come up bust or fail to thrill. asserted
many → include → researcher
It’s enjoyable enough, but you get the sense Below’s monster story was Frankensteined together. asserted
story → ’ → sense
Below is streaming on Netflix now. asserted
Below → stream → Netflix
We’ve got you. asserted
We → get → you
Get The Watchlist delivered every Thursday. asserted
Watchlist → get → ?
- Carrie is back: Stephen King didn’t want another remake. asserted
King → want → remake
This is what convinced him. asserted
what → convince → him
- East of Eden review: Is the new Netflix adaptation worth watching? - 70 Up: TV’s most fascinating experiment comes to an end. asserted
experiment → watch → end
Meet the man who inspired the show. asserted
who → meet → show
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