Australia weakening copyright protections to aid AI companies would be “ridiculous and dangerous”, the global peak body for the music recording industry has warned as it watches with concern how the Albanese government responds to big tech’s demands.
asserted
government → weaken → demands
While local creatives have raised constitutional issues and threatened political backlash, the International Federation of the Phonographic Industry (IFPI), representing recording industry bodies worldwide, said its members were worried about Australia potentially agreeing to demands other nations had rejected.
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nations → raise → demands
Why would a sophisticated, democratic country that has a phenomenal cultural power of its own choose to make this very odd decision and buy into the promises of a few large AI companies, and throw away their own culture and creativity?”
asserted
that → have → culture
Victoria Oakley, the chief executive of IFPI, told Guardian Australia.
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Oakley → tell → Australia
“I don’t think Australia wants to be the weakest link in this situation, the one that believed the promises and gave in and threw creativity under the bus on behalf of everyone else.
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that → think → everyone
That doesn’t feel very Australian to me.
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That → feel → me
“You just need one safe harbour, because then you can train on music from anywhere in the world.
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you → need → world
So this isn’t just about Australian music and Australian culture; it’s about music and culture everywhere.”
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it → ’ → music
Labor is mulling copyright changes in a suite of policy overhauls around AI, including datacentres, online safety, workforce, energy and the economy.
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Labor → mull → datacentres
While the prime minister, Anthony Albanese, promised “the strongest possible protection”, warning it would be “theft” if creatives were not paid for their work, creative industries were alarmed after AI companies requested a weakening of copyright law to train on Australian material.
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companies → promise → material
Some AI companies have rejected making licensing agreements under existing copyright law, saying it was too difficult.
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it → reject → law
Anthropic suggested an “opt-out” model that would allow it to scrape content unless rights holders signalled an objection.
uncertain
holders → suggest → objection
Large AI companies say they need legal certainty on issues such as copyright before making investments in Australia or training their models here.
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they → say → models
Oakley said AI companies had made similar proposals in the US, UK and other nations and that Australia should not accept such a bargain.
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Australia → say → bargain
“I just don’t think it’s true that you will only get investment or growth, or be seen as pro-innovation, if you entirely give in to the demands of AI companies,” Oakley said.
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Oakley → think → companies
“We’ve been talking to capitals around the world, saying ‘are you seeing what’s going on in Australia?’
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what → talk → Australia
We think this is a disaster for creativity.”
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this → think → creativity
The attorney general, Michelle Rowland, said via a spokesperson last week that the government was “committed to supporting” creatives and pledged that “any future copyright changes deliver meaningful control and fair compensation”.
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changes → say → control
Oakley said she worried about AI and copyright “everywhere” but feared “Australia appears to be threatening to do something really ridiculous and dangerous”.
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Australia → say → something
She said creative industries worried about “contagion” of copyright relaxation if Australia caved in, and that copyright material from anywhere in the world could be affected.
uncertain
material → say → world
She declined to speculate on any potential legal or constitutional challenges, as raised by the Australian Recording Industry Association, but said it would be reputational damage to Australia’s standing in the creative world.
“It would be a huge mistake and I think the prize is not worth what you’re throwing away,” she said.
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she → decline → what
In recent answers to a parliamentary committee on AI, responding to questions from the independent senator David Pocock about why it couldn’t replicate the kind of deals Spotify had made, OpenAI said the music streaming giant “has a different business, where it primarily transmits un-transformed copyrighted content, so would be expected to license content that it streams”.
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it → respond → that
But Oakley said music labels had already inked dozens of licensing deals with smaller AI companies around the world.
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labels → say → world
“It is perfectly possible to license.
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It → license → ?
I’m almost shocked that these words are coming out of the mouths of some of the larger AI companies …
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words → ’m → companies
We already know how to license music to tech platforms because that’s exactly how Spotify works, or Amazon Music, Apple, or Tidal,” she said.
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she → know → platforms
“You have a ready, willing set of rights holders who want to license with a history of licensing in the streaming world, but also current evidence of licensing to AI firms.
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who → want → firms
Let’s let the market do what it needs to do.
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it → let → what
Come to us and we’ll make it work.”
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it → come → us
The Aporia
